My work is concerned with states of suspension, hesitation, and near-formation. Rather than seeking resolution or expression, the work holds images at the point where they begin to stabilise, and then stops.
The paintings are built slowly through adjustment and reduction. Forms, colour relationships, and spatial tensions are tested and pared back, not in order to clarify meaning, but to avoid insisting on it. What remains is deliberate but provisional: a structure that resists completion.
Painting forms a practice that values restraint, attention, and refusal — allowing uncertainty to remain visible rather than resolved.
I am interested in what it means to stay with an image without asking it to carry explanation, memory, or narrative — and in how much can be held in that quiet, unresolved space.
